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Rag & Bone RTW Fall 2012 |
On a drafty pier on the Hudson, heat lamps dangling from the rafters for
warmth as much as set decoration, David Neville and Marcus Wainwright
sent out their latest collection that was a worthy romp in the English
countryside by way of India.
“Think about a country house and
all the things you might find in it,” said Wainright backstage. There
were the floral tapestries from the library cut into collared jackets
and jodhpurs, and striped blankets and riding gear nicked from the
stables that were transformed into a lust-worthy trenchcoat with sharp
leather shoulders. Rich metallic fabrics were made into sharp pantsuits,
or threaded into a knockout ikat sweater dress, then belted — as almost
everything was — and paired with their covetable ankle boots or heeled
loafers. “The real challenge was how many different elements we had,”
noted Neville, “and combining them all in a way that looked great but
also made sense for the brand.” Referring, of course, to the pile-it-on
mentality that’s become almost as much a Rag & Bone signature as the
precise and detailed tailoring on which the duo built their label. The
layering, it must be noted, has evolved into a controlled,
ubersophisticated process, and worked especially well, thanks to the
multitude of draping and wrapping that softened the harder edges of the
dark palette and leather accents throughout, and also presented an
off-kilter hemline that felt as fresh as the cold breezes seeping
through the cracks of the warehouse.
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Rag & Bone RTW Fall 2012 |
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Rag & Bone RTW Fall 2012 |
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Rag & Bone RTW Fall 2012 |
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Rag & Bone RTW Fall 2012 |
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Rag & Bone RTW Fall 2012 |
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Rag & Bone RTW Fall 2012 |
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Rag & Bone RTW Fall 2012 |
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Rag & Bone RTW Fall 2012 |
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Rag & Bone RTW Fall 2012 |
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Rag & Bone RTW Fall 2012 |
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