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Balenciaga RTW Fall 2012 |
Ghesquière’s recent forays into increased volumes suggest a
determination to take his runway in a more commercial direction than
that which centered on his famous, superskinny silhouette. For fall
though, not everything was big; it felt demonstrative, if not in the
structure or at the shoulder, then in the fabric mixes. Fabulous coats,
fold-front A-line skirts and pants versions of the jumpsuits looked
great and salable. However, some of the fuller shapes — the short, round
sweaters come to mind — didn’t exactly telegraph svelte.
But then, in a
fashion world of too much safety, Ghesquière remains an essential and
directional risk-taker. In one area, he took reverse risk. The designer
most often credited with catapulting shoes into the danger zone, both
literally and psychologically, here showed desexed styles with heels
almost retro in their manageability quotient. The reason, he said, was
to move on from “the cloning of the girls,” and that he now prefers
“something less robotic than when they are so suspended in the air.
That’s not working anymore. The importance of a presentation now is
individuals.”
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Balenciaga RTW Fall 2012 |
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Balenciaga RTW Fall 2012 |
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Balenciaga RTW Fall 2012 |
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Balenciaga RTW Fall 2012 |
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Balenciaga RTW Fall 2012 |
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Balenciaga RTW Fall 2012 |
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Balenciaga RTW Fall 2012 |
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Balenciaga RTW Fall 2012 |
source. WWD
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